In the days before it became famous, ‘Joe’s Fine Antiques and Furniture Design’ was know by the name of ‘Joe’s Junk and Antique Shop’. It’s owner, who uses the single name of ‘Gustave’, sometimes wishes that his little shop had kept it’s original name, and that all the fame had passed it by. But after the local newspaper did a write-up on it as part of a series about quaint local businesses, there was no stopping it. Word had gotten out about Gustave’s incredible talents, and now the world was beating a path to the great man’s door.
What attracted his many fans to him, was Gustave’s remarkable eye for seeing the potential in rusted-out bedsteads, or beaten-up old baby cribs. In the drop of a hat he could turn them into whole new pieces of trendy furniture. The interior designers went wild for it. Gustave could not produce new pieces from old junk fast enough to meet the demand. Before long, there was waiting list for his creations that was several months long.
By training, Gustave was a furniture designer. As a normal designer he was one of the best, but his true genius lay in furniture recycling. He hunted for promising pieces at garage sales and estate sales, and sometimes along the curb on garbage day. When he found one, he brought it back to the shop, where he stripped it down and remodeled it. Dozens of cheap armchairs went from the garbage heap, to the living rooms of the Fortune 500 after his skilled hands got through with them. It was a secret that only he and the interior designer who’d purchased it shared.
Until the newspaper ran the article, the sad truth was that, outside of a handful of up-and-coming interior designers, very few people ever realized that there were furniture designers who specialized in the type of furniture recycling that Gustave did.
But Gustave did not only excel at recycling furniture. He was, on top of it all, an expert in antique furniture. His could unerringly spot the one true piece that lay hidden amongst a forest of lesser pieces. Genuine Pennsylvania Farmhouse dining sets could not avoid detection by his trained eye, no matter how many layers of paint they were hidden under.
Once an antique was in his hands he would spend hours lovingly restoring it, no matter how lowly it was. It did not even have to be a piece of furniture. His interest in other antiques started when he discovered a strange-looking object amongst the personal effects of the store’s previous owner. His inner alarm bells went off instantly. Sure enough, after a bit of research he was able to determine that he had a genuine nineteenth century bedpan on his hands. He could not have been more pleased.
Celebrity is not an easy thing for a devoted artist of Gustave’s caliber. If it were not for how much his fans appreciate of his work, he’d throw it all away in an instant. To help him bear the load, he’s taken on an apprentice who goes by the single name of ‘Charles’. As for the bedpan, it now has a new home in the collection of a once famous movie-star whose name Gustave refuses to divulge.